Eerie is a great word

Jakwob has always been so good at the atmospheric Dubstep that I love, oh so very much.
This track is sublime in the way it controls your tapping fingers, stomping foot and/or swaying head, which by the way kick off straight away.
It kinda wobbles professionally from eerie voices and instruments to electronic beeps in a way that not many other dubstep producers do.
At Glastonbury Jakwob really hit the hard and deeper dubstep as obviously the crowds were there for that and not any remixes they had already heard a hundred times. But its this kinda track that gets me and Jakwob does it so well. Can I call it funky soulful classical dubstep please?!



Jakwob - Here With Me - Offical Video from James Jacob on Vimeo.


From start to finish, this next track will always have 100% of my attention.
McMess over at The Smoothest Gooch kindly shared some new remixes of an already super mixed track and arguably Skream's first remix of 'In for the Kill' by La Roux, allowed the masses to indulge in a bit of dubstepping. Many moons later and some more mixes are out. Danger's Ocean Remix (click to download) is slow but by no means does it lack punch. Like a lesson in French electronic house and sublime vocals, it also reminds me greatly of something older, which I can't put my finger on. Pure gold.


Tensnake - Coma Cat (Treasure Fingers Remix) by Mister Bibby


I shall reduce my wordage for the above track.
I played it twice the other night at the Earl of Manvers because I couldn't bare having three hours of my life inbetween listening to this.
I hope you'll feel the same.

Ronson, Manila Killa and Stanton Warriors

It's been a genuinely long time since I've posted some music to the world, slash 2 ppl (Hi Dad). 

So on this very rainy afternoon before dinner I will rectify this situation with three songs.

The first is by a duo known as Manilla Killa. This track is one their first creations and it's epic but on a subtle scale. It doesn't blow your mind, but it takes you on a journey and this makes it listenable x200. Hopefully I'll have a quick Q&A and some more musical goodness from them soon, but for now listen to this, a lot.

In Still Time (Drafttt) by Manila Killa

The second track this evening is about a year late for the masses of zombies wandering through chart land.
I would however, go so far as to say that this remix by Stanton Warriors is better than the original. Big beats and breakdowns match the Dnb original by Sub Focus, but add longevity to it I feel. See what you think.


SubFocus - RockIt (Stanton Warriors Edit) by Stanton Warriors

Last and by no means least is newer track given a going over by U-Tern.
The original I will not shy from shy away from saying is irritable like that hair in your beer you can't bloody get at cause you've had 7 already. You end up drinking it or pouring beer down you trying to avoid it.
My good friend McMess of SmoothestGooch fame, suggests that Russ Chimes' attempted remix is better, but U-Tern just hits the Nu Disco smooth but bouncing vibe for me.


Mark Ronson & The Business INTL - Bang Bang Bang (U-Tern's Disco Dub) by U-Tern


If you're in Bath tonight, Central Bar is the place to be. Jeremy Guscott was there last week so I can promise he won't be there this week.